one to seven on the Jamaican pop chart simultaneously.[3] Among those hits were “Don’t Call Me Daddy”, “In My Heart”, “Be Still”, and “Meekly Wait and Murmur Not”. But it was the following year that Morgan released the biggest hit of his career, the Leslie Kong production of “Don’t You Know”, later retitled “Housewives’ Choice” by a local DJ. The song featured a bouncing ska riddim, along with a duet by Morgan and Millicent “Patsy” Todd.

 Duke Reid, the sound system boss, was looking for talent to record for his Treasure Isle record label. Morgan cut two popular shuffle–boogie sides “Lover Boy”, a.k.a. “S-Corner Rock”, and “Oh My”. Soon after, Morgan cut the bolero-tinged boogie “Fat Man”,[2] which also became a hit. He also found time to record for Coxsone Dodd.

warns Buster to “Live and let others live, and your days will be much longer. You said it. Now it’s the Blazing Fire”. Buster shot back with, “Watch It Blackhead”, which Morgan countered with “No Raise No Praise” and “Still Insist”. Followers of the two artists often clashed, and eventually the government had to step in with a staged photo shoot depicting the rivals as friends.